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Nadar’s Livre d’or
Adam Begley interviews Ali Smith in our new Summer issue. Begley’s new book, The Great Nadar: The Man Behind the Camera—a biography of the fabled Parisian photographer Félix Nadar—is out this month....
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Obligatory Readings
I still remember the day when the teacher turned to the chalkboard and wrote the words test, next, Friday, Madame, Bovary, Gustave, Flaubert, French. With each word, the silence grew, and by the end,...
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Cooking with Georges Bataille
It is an unfortunate quirk that when I try to think of food scenes in literature, one of the first that comes to mind is from the opening pages of a 1928 classic of transgressive pornography, The...
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On Edmond Baudoin, an Ink-Stained Proust
Edmond Baudoin is a force of nature who holds a singular position in the French comics scene. An ink-stained Proust, his drawings and his memory keep bringing him back to the small, Southern French...
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Staff Picks: Sports, Sontag, and Scheherazade
SLASH. Image courtesy of Emily Allan and Leah Hennessey. Emily Allan and Leah Hennessey’s play SLASH is so enjoyable it’s like having dessert for two hours with no intermission. One advertisement...
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Cooking with Colette
In Valerie Stivers’s Eat Your Words series, she cooks up recipes drawn from the works of various writers. Any writer who has recently been the subject of a film starring Keira Knightley can be said to...
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Balzac and the Reassembly of France
Louis Boulanger, Balzac, 1836. In the 1820s, when Honoré de Balzac decided to become a writer, the novel was a minor literary genre in France. Like Voltaire, educated French people preferred poetry and...
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Redux: April in Paris
Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to...
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In Praise of Travel, Particularly on Horseback
Carolus-Duran, Equestrian portrait of Mademoiselle Croizette, 1873, oil on canvas. Public domain, via Wikimedia Commons. Michel de Montaigne is best imagined on horseback; firstly, because that was how...
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Sephora on the Champs-Élysées
Illustration by Matthew Fox (@matteo_zorro). New Recruits The vast office in which the group of Black men find themselves is open-plan. No walls interrupt the space separating them from the glass cage...
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